Showing posts with label carte de visite. Show all posts
Showing posts with label carte de visite. Show all posts

Tuesday, 12 January 2016

Agnes Copeland by David Scott [carte de visite]

Photo details:

TitleAgnes Copeland by David Scott
Date1879-80
CollectionGeorgina Auld nee Muir photo album
Digital IDapc-000082

Photo TypeCarte de visite

Mount Size64 x 105 mm
Mount Thickness0.625 mm
Mount ColourWhite
Mount EdgesStraight
Mount CornersSquare
Mount BorderNone

Image Size60 x 95 mm
TechnologyAlbumen
Features

Front ImprintSmall lettering
Back ImprintLarge sized, text and script



Front face
Rear face

Front face:

Agnes Copeland by David Scott (front face) [Auld Photograph Collection apc-000082-s1]
Larger version on Flickr


Photographers imprint on the front face reads:
David Scott. Sydney.

Rear face:

Agnes Copeland by David Scott (rear face) [Auld Photograph Collection apc-000082-s2]


Imprint on rear face is medium sized and includes both text and script. Inscription of the text reads as:

BY APPOINTMENT PHOTOGRAPHER TO H.R.H. The Duke of Edinburgh, K.G.
Artist Photographer
140, PITT STREET,
SYDNEY,
Opposite Mort's Passage.
David Scott,
SUCCESSOR TO WILLIAM BRADLEY.
[top medal] AGRICULTURAL SOCIETY OF NEW SOUTH WALES
[bottom left medal] VICTORIA ... ALBERTUS ... MDCCCLI
[bottom right medal] ...CIS CONCORDI PACE LIGAVIT
MEDALS AWARDED LONDON & SYDNEY
Exhibitions.
Portraits in Crayon from Life or copied from Photographs
CASH ON DELIVERY.

See David Scott, 140 Pitt Street, Sydney [Photographers] for more information on when David Scott operated his photographic studio from 140 Pitt Street Sydney, As discussed in that post, the documentary evidence based solely on the information provided on the back imprint dates the photo between the twelve year period 1869-80.

Card Stock and Image Size:

The square corners on this carte de visite indicate a pre-1870 date, but the full image size was not used until 1874 and onwards. Based on this information we can refine the date range down to a seven year period 1874-80.

Additional annotations in album:

Written in the album next to the carte de visite are the words "Agnes Copeland"

Background research:

Additional background research undertaken by +Paul Cooper into the lives of the Goodlet and Copeland families has revealed that Agnes Copeland was born in December 1873. The photograph shows a child of approximately 6-8 years of age which would place the photograph between 1879 and 1881.

Taking into account all of the above information it is estimated that the photograph was taken in in the period 1879-1880.

Monday, 4 January 2016

Elizabeth Copeland by David Scott [carte de visite]

Photo details:

TitleElizabeth Copeland by David Scott
Date1874-75
CollectionGeorgina Auld nee Muir photo album
Digital IDapc-000081

Photo TypeCarte de visite

Mount Size64 x 104 mm
Mount Thickness0.625 mm
Mount ColourWhite
Mount EdgesStraight
Mount CornersSquare
Mount BorderNone

Image Size60 x 94 mm
TechnologyAlbumen
Features

Front ImprintSmall lettering
Back ImprintLarge sized, text and script



Front face
Rear face

Front face:

Elizabeth Copeland by David Scott (front face) [Auld Photograph Collection apc-000081-s1]
Larger version on Flickr


Photographers imprint on the front face reads:
David Scott. Sydney.

Rear face:

Elizabeth Copeland by David Scott (rear face) [Auld Photograph Collection apc-000081-s2]


Imprint on rear face is medium sized and includes both text and script. Inscription of the text reads as:

BY APPOINTMENT PHOTOGRAPHER TO H.R.H. The Duke of Edinburgh, K.G.
Artist Photographer
140, PITT STREET,
SYDNEY,
Opposite Mort's Passage.
David Scott,
SUCCESSOR TO WILLIAM BRADLEY.
[top medal] AGRICULTURAL SOCIETY OF NEW SOUTH WALES
[bottom left medal] VICTORIA ... ALBERTUS ... MDCCCLI
[bottom right medal] ...CIS CONCORDI PACE LIGAVIT
MEDALS AWARDED LONDON & SYDNEY
Exhibitions.
Portraits in Crayon from Life or copied from Photographs
CASH ON DELIVERY.

See David Scott, 140 Pitt Street, Sydney [Photographers] for more information on when David Scott operated his photographic studio from 140 Pitt Street Sydney, As discussed in that post, the documentary evidence based solely on the information provided on the back imprint dates the photo between the twelve year period 1869-80.

Card Stock and Image Size:

The square corners on this carte de visite indicate a pre-1870 date, but the full image size was not used until 1874 and onwards. Based on this information we can refine the date range down to a seven year period 1874-80.

Background research:

Additional background research undertaken by +Paul Cooper into the lives of the Goodlet and Copeland families has revealed that Elizabeth Copeland arrived in Sydney from the New Hebrides on 29 September 1873 with her husband the Rev. Joseph Copeland and her three children. In April the following year Rev. Copeland returned to the New Hebrides, but returned back into Sydney during December. With two of their children they departed for the New Herbides in April 1875. Elizabeth Copeland died in 20 January 1876.

Taking into account all of the above information it is estimated that the photograph was taken between 1874-75.  

Thursday, 31 December 2015

Rev. Joseph Copeland by David Scott [carte de visite]

Photo details:

TitleRev. Joseph Copeland by David Scott
Date1874-75
CollectionGeorgina Auld nee Muir photo album
Digital IDapc-000080

Photo TypeCarte de visite

Mount Size64 x 104 mm
Mount Thickness0.625 mm
Mount ColourWhite
Mount EdgesStraight
Mount CornersSquare
Mount BorderNone

Image Size60 x 95 mm
TechnologyAlbumen
Features

Front ImprintSmall lettering
Back ImprintLarge sized, text and script



Front face
Rear face

Front face:

Rev. Joseph Copeland by David Scott (front face) [Auld Photograph Collection apc-000080-s1]
Larger version on Flickr


Photographers imprint on the front face reads:
David Scott. Sydney.

Rear face:

Rev. Joseph Copeland by David Scott (rear face) [Auld Photograph Collection apc-000080-s2]


Imprint on rear face is medium sized and includes both text and script. Inscription of the text reads as:

BY APPOINTMENT PHOTOGRAPHER TO H.R.H. The Duke of Edinburgh, K.G.
Artist Photographer
140, PITT STREET,
SYDNEY,
Opposite Mort's Passage.
David Scott,
SUCCESSOR TO WILLIAM BRADLEY.
[top medal] AGRICULTURAL SOCIETY OF NEW SOUTH WALES
[bottom left medal] VICTORIA ... ALBERTUS ... MDCCCLI
[bottom right medal] ...CIS CONCORDI PACE LIGAVIT
MEDALS AWARDED LONDON & SYDNEY
Exhibitions.
Portraits in Crayon from Life or copied from Photographs
CASH ON DELIVERY.

See David Scott, 140 Pitt Street, Sydney [Photographers] for more information on when David Scott operated his photographic studio from 140 Pitt Street Sydney, As discussed in that post, the documentary evidence based solely on the information provided on the back imprint dates the photo between the twelve year period 1869-80.

Card Stock and Image Size:

The square corners on this carte de visite indicate a pre-1870 date, but the full image size was not used until 1874 and onwards. Based on this information we can refine the date range down to a seven year period 1874-80.

Background research:

Additional background research undertaken by +Paul Cooper into the lives of the Goodlet and Copeland families has revealed that Rev. Joseph Copeland, his wife Elizabeth and their three children arrive in Sydney from the New Hebrides on 29 September 1873. In April the following year Rev. Copeland returned to the New Hebrides, but then returned again in December 1874. Accompanied by his wife Elizabeth and two of their children, the Copelands departed for the New Hebrides in April 1875. Based on the other Copeland family member portraits taken by photographer David Scott (in particular his wife Elizabeth Copeland), it is assumed that the photos were taken at the same time.

Taking into account all of the above information it is estimated that the photograph was taken in early 1874.

Friday, 8 November 2013

unknown male by John Adamson & Son [carte de visite]

Photo details:

Titleunknown male by John Adamson & Son
Date1872-73
CollectionGeorgina Auld nee Muir photo album
Digital IDapc-000024

Photo TypeCarte de visite

Mount Size64 x 105 mm
Mount Thickness0.670 mm
Mount ColourCream
Mount EdgesStraight
Mount CornersRound
Mount BorderNone

Image Size60 x 95 mm
TechnologyAlbumen
Features

Front ImprintSmall text
Back ImprintMedium sized, text and script



Front face
Rear face

Front face:

unknown male by John Adamson & Son (front face) [Auld Photograph Collection apc-000024-s1]
Larger version on Flickr


Photographers imprint on the front face reads:
ADAMSON & SON GLASGOW & ROTHESAY

Rear face:

unknown male by John Adamson & Son (front face) [Auld Photograph Collection apc-000024-s2]


Imprint on rear face is medium sized and includes both text and script. Inscription of the text reads as:

JA&S [logo]
PHOTOGRAPHIC ARTISTS
126 SAUCHIEHALL ST.
GLASGOW
John Adamson & Son [script on 45 degree angle]
AND
VICTORIA STREET
ROTHESAY.

See John Adamson & Son, Glasgow, SCT [Photographers] for more information on when John Adamson & Son operated their photographic studio in Glasgow, As discussed in that post, the documentary evidence based solely on the information provided on the back imprint dates the photo between the two year period 1872-73.

Thursday, 7 November 2013

unknown female by John Adamson & Son [carte de visite]

Photo details:

Titleunknown female by John Adamson & Son
Date1872-73
CollectionGeorgina Auld nee Muir photo album
Digital IDapc-000023

Photo TypeCarte de visite

Mount Size64 x 105 mm
Mount Thickness0.670 mm
Mount ColourCream
Mount EdgesStraight
Mount CornersRound
Mount BorderNone

Image Size60 x 95 mm
TechnologyAlbumen
Features

Front ImprintSmall text
Back ImprintMedium sized, text and script



Front face
Rear face

Front face:

unknown by John Adamson & Son (front face) [Auld Photograph Collection apc-000023-s1]
Larger version on Flickr


Photographers imprint on the front face reads:
ADAMSON & SON GLASGOW & ROTHESAY

Rear face:

unknown by John Adamson & Son (front face) [Auld Photograph Collection apc-000023-s2]


Imprint on rear face is medium sized and includes both text and script. Inscription of the text reads as:

JA&S [logo]
PHOTOGRAPHIC ARTISTS
126 SAUCHIEHALL ST.
GLASGOW
John Adamson & Son [script on 45 degree angle]
AND
VICTORIA STREET
ROTHESAY.

See John Adamson & Son, Glasgow, SCT [Photographers] for more information on when John Adamson & Son operated their photographic studio in Glasgow, As discussed in that post, the documentary evidence based solely on the information provided on the back imprint dates the photo between the two year period 1872-73.

Friday, 11 October 2013

John Walker and two unknown individuals by Robert Baxter [carte de visite]

Photo details:

TitleJohn Walker and two unknown individuals by Robert Baxter
Date1880
CollectionGeorgina Auld nee Muir photo album
Digital IDapc-000079

Photo TypeCarte de visite

Mount Size63 x 106 mm
Mount Thickness0.620 mm
Mount ColourCream
Mount EdgesStraight
Mount CornersSquare
Mount BorderSingle black line

Image Size57 x 98 mm
TechnologyAlbumen
Features

Front ImprintNone
Back ImprintSmall sized, text and artwork



Front face

Rear face

Front face:

John Walker and two unknown individuals by Robert Baxter (front face) [Auld Photograph Collection apc-000079-s1]


Originally I had marked the photograph as unknown, but by making comparisons with other photographs in the album, I believe the individual on the left to be John Walker. A previous blog post on John Walker by David Scott [Carte de visite] shows John Walker in 1876. Research by +Paul Cooper has revealed that Walker arrived in New South Wales during 1876.

This particular photograph appears to show a slightly older Walker. A close-up comparison follows and shows John Walker in 1876 (left side) compared to John Walker in this photograph (right side).

Close-up comparison of John Walker
[Note: click on image for larger view]

For dating purposes and based on the above comparison we could assume approximately five years plus or minus two years between photos.

Rear face:

John Walker and two unknown individuals by Robert Baxter (rear face) [Auld Photograph Collection apc-000079-s2]


Imprint on rear face is medium sized and includes both text and artwork. Inscription of the text reads as:

ROBERT BAXTER
Artist - Photographer
YOUNG.

Researching the photographer Robert Baxter has been elusive, but Sandy Barrie's fantastic book and resource titled Australians Behind the Camera - Directory of Early Australian Photographers, 1841 to 1945 has been invaluable.

It appears Robert Baxter was a travelling photographer who operated under his own name throughout the period 1870 to 1903. He is recorded in the following regional towns of southern New South Wales - Campbelltown, Yass, Coma, Queanbeyan, Young, Merimbula and Wollongong. In regards to operating from Young, where this particular photograph was taken, there are two time periods listed in Sandy Barrie's publication - December 1873 to January 1875 as well as during the year 1880.

Taking the dates that Robert Baxter was in Young and overlaying the information when John Walker arrived in Australia, we can date the photograph to the year 1880.

Additional references

  • Barrie, Sandy (2002). Australians Behind the Camera - Directory of Early Australian Photographers, 1841 to 1945. S. Barrie. Sydney South.

Thursday, 5 September 2013

William Barclay by David Scott [Carte de visite]

Photo details:

TitleWilliam Barclay by David Scott
Date20 January 1876
CollectionGeorgina Auld nee Muir photo album
Digital IDapc-000114

Photo TypeCarte de visite

Mount Size68 x 107 mm
Mount Thickness0.600 mm
Mount ColourNatural
Mount EdgesStraight
Mount CornersSquare
Mount BorderSingle red line

Image Size60 x 87 mm
TechnologyAlbumen
FeaturesOval picture mask

Front ImprintSmall lettering and crest
Back ImprintMedium sized, text and artwork



Front face

Rear face

Front face:


William Barclay by David Scott (front face) [Auld Photograph Collection apc-000114-s1]


Photographers imprint on the front face reads:
DAVID SCOTT, Successor.
W. BRADLEY, 140, PITT STREET.

The name written in ballpoint pen on the front face is 'Alfred Collingbourne'. This name is fictional and does not correspond to the individual identified. As mentioned in a prior post, the history of the ballpoint pen also needs to be taken into account. With this additional information we can safely say that the name was written well after the date that this photo was taken.

Rear face:

William Barclay by David Scott (rear face) [Auld Photograph Collection apc-000114-s2]


Imprint on rear face is full sized and includes both text and artwork. Inscription of the text reads as:

BY APPOINTMENT
PHOTOGRAPHER
TO
H.R.H. The Duke of Edinburgh, K.G.
WILLIAM BRADLEY
Artist Photographer
140, PITT STREET,
SYDNEY,
Opposite Mort's Passage,
Next to Richardson & Wrench's.
CASH ON DELIVERY.

Hand written on the rear face is also an identification and date which reads:
Wm. Barclay
Ship Northampton
20th Jany
1876.

Destination Hong Kong

A search on Trove reveals a Captain William Barclay, commander of the ship Northampton, is set to sail on Saturday 22 January 1876 from Circular Quay.

Source: Advertising. (1876, January 22). The Sydney Morning Herald (NSW : 1842 - 1954), p. 1.
Retrieved September 3, 2013, from http://nla.gov.au/nla.news-article13367837

It appears from both newspaper articles and information provided online via the Mariners and ships in Australian Waters website, William Barclay and the ship Northampton were also regularly travelling between London and Sydney.

What is the connection?

Additional research provided by +Paul Cooper has revealed a William Barclay (Shipmaster) in Saltcoates appeared in the same parish register as the Reverend John Auld's birth. So it is possible that the family know of each other from their time spent growing up in Ayrshire.

Additional references


Monday, 26 August 2013

John Walker by David Scott [Carte de visite]

Photo details:

TitleJohn Walker by David Scott
Date1876
CollectionGeorgina Auld nee Muir photo album
Digital IDapc-000077

Photo TypeCarte de visite

Mount Size63 x 103 mm
Mount Thickness0.675 mm
Mount ColourLight Yellow
Mount EdgesStraight, gold gilt
Mount CornersRound
Mount BorderNone

Image Size60 x 96 mm
TechnologyAlbumen
Features

Front ImprintSmall lettering
Back ImprintLarge sized, ornate text and artwork


Front face
Rear face

Front face:


John Walker by David Scott (front face) [Auld Photograph Collection apc-000077-s1]

Photographers imprint on the front face reads:
David Scott, Sydney.

Rear face:

John Walker by David Scott (rear face) [Auld Photograph Collection apc-000077-s2]

Imprint on rear face is full sized and includes both text and artwork. Inscription of the text reads as:

FROM THE
Photographic
Studio
OF
David Scott
SUCCESSOR TO WILLIAM BRADLEY
SYDNEY
On the rear is also the printers mark which reads:
Marion, Imp. Paris.
Hand written on the rear face is also an identification and date which reads:
John Walker
1876
The identification is also written in the album as:
Rev. J. Walker
.

Thursday, 15 August 2013

Joseph Paxton by Hemus & Hanna [Carte de visite]

Photo details:

TitleJoseph Paxton by Hemus & Hanna
Date1877±1
CollectionGeorgina Auld nee Muir photo album
Digital IDapc-000108

Photo TypeCarte de visite

Mount Size64 x 105 mm
Mount Thickness0.745 mm
Mount ColourWhite
Mount EdgesStraight
Mount CornersRound
Mount BorderSingle thick gold line

Image Size60 x 97 mm
TechnologyAlbumen
FeaturesOval picture mask

Front ImprintSmall lettering
Back ImprintMedium sized, text and artwork

Front face
Rear face


Front face:

I am very appreciative of the assistance of fellow researcher Paul Cooper, whose help has been invaluable in identifying the individual in this particular carte de visite as Joseph Paxton.

Joseph Paxton by Hemus & Hanna (front face) [Auld Photograph Collection apc-000108-s1]
Larger version on Flickr

Original has been cut and reduced in size slightly at the top with the top corners squared. Photographers imprint on the front face reads:
HEMUS & HANNA.

The name written in ballpoint pen on the front face is 'Erasmus Wellsted'. This name is fictional and does not correspond to the individual identified. As mentioned in a prior post, the history of the ballpoint pen also needs to be taken into account. With this additional information we can safely say that the name was written well after the date that this photo was taken.

On a recent visit by Paul Cooper to view several of the Auld albums that I have in my possession, Paul identified Joseph Paxton immediately. It so happens that Paul is currently researching Paxton and recognised his photo as being similar to an illustrated engraving that was published in Australian Men of Mark. Further investigation revealed a three page biography (pages 273-275) including the illustrated plate for Joseph Paxton (see below) appeared in Australian Men of Mark Volume 2.

Australian men of mark. Vol. 2., Illus. with authentic portraits. Charles F. Maxwell, Sydney. p 273.

Joseph Paxton passed away 18 May 1882 and an obituary was printed in the Australian Town and Country Journal the following month.

The Late Joseph Paxton, Esq., J.P. (1882, June 3). Australian Town and Country Journal (NSW : 1870 - 1907), p. 17. Retrieved August 13, 2013, from http://nla.gov.au/nla.news-article70969656

Accompanying this article was an illustration of slightly older Joseph Paxton, which reinforces the identification that has been made of this carte de visite.

The Late Joseph Paxton, Esq., J.P. (1882, June 3). Australian Town and Country Journal (NSW : 1870 - 1907), p. 17. Retrieved August 13, 2013, from http://nla.gov.au/nla.news-article70969656

Research into the Auckland based photographers (see detail below in regards to rear face) puts the age of the carte de visite between 1875-85. The death of Joseph Paxton further narrows this date range down to 1875-82.

In regards to placing Joseph Paxton in New Zealand, additional research uncovered by Paul Cooper has also revealed that Paxton left Sydney on 27 November 1876 and arrived back from New Zealand on 7 February 1878. These dates help narrow the time frame down even further to 1877 ±1 year.

Rear face:

Joseph Paxton by Hemus & Hanna (rear face) [Auld Photograph Collection apc-000108-s2]

Imprint on rear face is medium sized and includes both text and artwork. Inscription of the text reads as:

Hemus & Hanna,
Artist Photographers
QUEEN STREET, CORNER OF WELLESLEY WEST,
AUCKLAND.
Miniature and Enlargements
Painted in Oil or Water Colors. 
See Hemus & Hanna, Auckland NZ [Photographers] for more information on Hemus & Hanna and their photographic studio in Queen Street, Auckland. As discussed in that post, the documentary evidence based solely on the information provided on the back imprint dates the photo between August 1875 and April 1885.

Monday, 1 July 2013

John Muir by William Dargavel [Carte de visite]

Photo details:

TitleJohn Muir by William Dargavel
Date1876 ±2
CollectionGeorgina Auld nee Muir photo album
Digital IDapc-000007

Photo TypeCarte de visite

Mount Size64 x 106 mm
Mount Thickness0.55 mm
Mount ColourCream
Mount EdgesStraight
Mount CornersRound

Image Size58 x 97 mm
TechnologyAlbumen
Features

Front ImprintSmall purple lettering
Back ImprintMedium sized, ornate text and artwork


Front face
Rear face




Front face:


John Muir by William Dargavel (front face)
[Auld Photograph Collection apc-000007-s1]
Larger version on Flickr

Imprint on the front face is small text and reads "WM DARGAVEL  AYR".

Written on the page in the album where this photograph was placed is the following identification text:
Grandfather Muir (mothers father)
(Georgina's father & J.H.G. Auld's maternal grandfather)
Georgina Muir's parents are John Muir and Elizabeth Millar. John Muir was born 28 July 1800 in Kilmaurs, AYR, SCT - he was christened 3 August 1800. John married Elizabeth when he was eighteen years old on 20 March 1819. Over the twenty four year period of 1820 through to 1844, the couple had twelve children in total - they were:
  • Dalrymple Muir
  • Jean Muir
  • Elizabeth Muir
  • Mary Muir
  • Hugh Muir
  • Agnes Muir
  • Wilhelmina Muir
  • John Muir
  • James Muir
  • Christina Muir
  • Janet Muir
  • Georgina Muir
Based on the dating evidence from the rear imprint (see below), John Muir (Georgina's father) would be approximately seventy six years old in the photograph.

Rear face:

John Muir by William Dargavel (rear face)
[Auld Photograph Collection apc-000007-s2]

Imprint on rear face is medium sized and includes both ornate text and artwork. Inscription of the text reads as:
WM DARGAVEL
PHOTO ARTIST
4 MURRAY PLACE
Newton
AYR
NEGATIVES KEPT COPIES OR ENLARGEMENTS
CAN BE HAD AT ANY TIME
COLORED WORK IN ALL ITS BRANCHES
See William Dargavel, Newton, Ayr [Photographer] for more information on William Dargavel and his photographic studio in Newton, Ayr. As discussed in that post, the documentary evidence based solely on the information provided on the back imprint dates the photo to 1876 ±2 years.

Tuesday, 18 June 2013

Unknown female by Metcalfe & Glaister [carte de visite]

Photo details:

Titleunknown female by Metcalfe & Glaister
Date1875
CollectionGeorgina Auld nee Muir photo album
Digital IDapc-000106

Photo TypeCarte de visite

Mount Size62 x 102 mm
Mount Thickness0.630 mm
Mount ColourNatural
Mount EdgesStraight
Mount CornersSquare

Image Size58 x 90 mm
TechnologyAlbumen
Features

Front ImprintNone
Back ImprintMedium sized, text and artwork

Front face
Rear face


Front face:


unknown female by Metcalfe & Glaister (front face)
[Auld Photograph Collection apc-000106-s1]

There is no imprint on the front face.

Although the individual female depicted in the photograph is unknown, there are several potential candidates for who it may be.

The first and most likely candidate, in my opinion, would be James Muir's first wife Elizabeth nee Coutts. As identified in the post titled Trove Tuesday : The family of James Muir, James and Elizabeth were married 15 December 1874, the year prior to when this photograph is believed to have been taken (based on the rear imprint information - see below). Combine this information with the previously identified photo of James Muir by Metcalfe & Glaister [Carte de visite], which was taken by the same photographers around the same time period.

It is also known that Georgina Auld nee Muir & James Muir's sister, Christina Muir, was also living in Brisbane, although to date it is not known when Christina arrived in Australia.

Rear face:

unknown female by Metcalfe & Glaister (rear face)
[Auld Photograph Collection apc-000106-s2]

Imprint on rear face is medium sized and includes both text and artwork. Inscription of the text reads as:

METCALFE & GLAISTER.
PHOTOGRAPHIC
ARTISTS.
[small print]WATSON & CO:LITH:
QUEEN ST BRISBANE.
Late
J.WATSON, 
See Trove Tuesday : Metcalfe & Glaister [Photographers] for more information on Metcalfe & Glaister and their photographic studio in Queen Street, Brisbane. As discussed in that post, the documentary evidence based solely on the information provided on the back imprint dates the photo to 1875.

Wednesday, 12 June 2013

James Muir by Metcalfe & Glaister [Carte de visite]

Photo details:

TitleJames Muir by Metcalfe & Glaister
Date1875
CollectionGeorgina Auld nee Muir photo album
Digital IDapc-000105

Photo TypeCarte de visite

Mount Size63 x 103 mm
Mount Thickness0.575 mm
Mount ColourNatural
Mount EdgesStraight
Mount CornersSquare

Image Size61 x 97 mm
TechnologyAlbumen
FeaturesEmbossed oval picture mask

Front ImprintNone
Back ImprintMedium sized, text and artwork

Front face
Rear face


Front face:

Through several of my earlier posts on Trove Tuesday : The family of James Muir and Trove Tuesday : Identifying James Muir, I have managed to identify the individual in this carte de visite as James Muir, the brother of the Georgina Auld nee Muir.

James Muir by Metcalfe & Glaister (front face) [Auld Photograph Collection apc-000105-s1]
Larger version on Flickr

There is no imprint on the front face.

As mentioned in my earlier post on Identifying James Muir, the name written in ballpoint pen on the front face is 'Edgar Collingbourne'. This name appears to be fictional and does not correspond to any family members that have been uncovered to date. The history of the ballpoint pen also needs to be taken into account, as the first patent for the ballpoint pen as we know it today was not filed until 1938 by Hungarian newspaper editor and inventor László Bíró. Market saturation of this type of pen varied by country, but it really didn't take off until post-war late 1940s and early 1950s. From this information we can safely say that the name was written well after the date that this photo was taken.

Rear face:

James Muir by Metcalfe & Glaister (rear face) [Auld Photograph Collection apc-000105-s2]

Imprint on rear face is medium sized and includes both text and artwork. Inscription of the text reads as:

METCALFE & GLAISTER.
PHOTOGRAPHIC
ARTISTS.
[small print]WATSON & CO:LITH:
QUEEN ST BRISBANE.
Late
J.WATSON, 
See Trove Tuesday : Metcalfe & Glaister [Photographers] for more information on Metcalfe & Glaister and their photographic studio in Queen Street, Brisbane. As discussed in that post, the documentary evidence based solely on the information provided on the back imprint dates the photo to 1875.